BEHIND THE SCENES
Lauren's Writing Progress
Behind the Books
Behind the Book: The Darkest Oath
People often ask where stories come from, as though they burst forth fully formed—characters, curses, lovers and all. But The Darkest Oath was born slowly, like mist curling along a blood-soaked battlefield or a whisper stirring behind palace walls.
I wrote The Darkest Oath because I wanted to explore the cost of vengeance when bound by immortality, and the weight of love when tangled in revolution. At its heart, this story came from a question that haunted me from my greatest fear of losing my family: What would you give to protect those you love?
That’s where Rollant began—not as a mythic knight, but as a human, a man. A loyal crusader who prayed for righteousness and died betrayed by the very brotherhood he swore to uphold. His story is shaped as much by swords as it is by silence—the silence that follows a prayer unanswered, or a vow made in desperation. In choosing to live again, Rollant doesn’t just forfeit death—he forfeits peace, and begins a slow exile from the God he once believed would greet him on the other side.
That chasm—between man and heaven, between vengeance and grace—became the soul of the book.
This was never just a story about history or fantasy or even romance—it was about legacy. The oaths we make in anguish. The secrets we bury to protect others. The way centuries twist memory into myth. Writing Rollant and Élise’s story let me reckon with the terrifying beauty of grief, justice, and longing. Because love, especially in my stories, is never simple. It is rarely safe. But it is always worth it.
Why does it matter?
Because The Darkest Oath asks us to look into the shadowed parts of ourselves—the places where our convictions blur, where we would kill to protect or lie to preserve, where our oaths—however sacred—might condemn us. And yet, it still holds out a glimmer of hope: that even those chained by darkness might find redemption in the light of another soul.
For readers who love rich history braided with myth, aching romance carved from ruin, and flawed heroes who stagger beneath the weight of their choices—this book is for you.
And maybe, if you listen closely, you’ll hear the echo of your own oaths in the dark.
Behind the Book: Warrior King
When I first set pen to papyrus, so to speak, I didn’t know I was writing Warrior King. I only knew I was chasing the echoes of a forgotten queen—a woman buried not only by time but by the towering shadows of the men around her. The more I studied the history of the Seventeenth Dynasty, the more I found myself drawn not to the kings, but to the women who stood behind them—especially one: Ahhotep.
This book began not as a love letter to war or kingship, but as a tribute to resilience. To mothers, wives, and daughters who held kingdoms together when the walls cracked and the gods seemed silent. Ahhotep was such a woman. Her name appears sparingly in the records, her accomplishments vaguely honored. Yet the fragments suggest a force of nature—a woman who likely ruled as regent, who may have commanded armies, who fought for a vision of a united Egypt even as grief hollowed her from within.
I wanted to give her a voice.
What followed was a long and careful process of threading historical fact with fiction. Warrior King takes place at the edge of Egypt’s Second Intermediate Period, when the Hyksos—called the Hekka Khasut in the story—controlled Lower Egypt. This was an age of disunity and foreign rule, but also one of resistance and bold leadership. We know the names of Seqenenre Tao, Kamose, and Ahmose from inscriptions and burial findings. Their skeletons, particularly Seqenenre's, tell a violent story. That wound in his forehead is not fiction—it is fact, and it haunted me. Who watched him die? Who buried him? Who was left to pick up the shattered pieces?
That question drove this book.
Readers might notice that Warrior King is structured around time: “A Time of Defeat,” “A Time of Valor,” “A Time for Kemet,” and so on. Time itself became a character in this novel—relentless, unforgiving, and sacred. In ancient Egyptian belief, time was cyclical, not linear. Every event echoed forward and backward. I wanted the structure of the novel to reflect this rhythm, this pulse of history repeating itself through bloodlines, betrayal, and legacy.
One of my guiding principles while writing was to treat the ancient world with reverence. The political systems, family dynamics, and religious beliefs were vastly different from our own, but deeply human. The love between Ahhotep and her children. The ambition and insecurity of Kamose and Ahmose. The grief that propels Ahmose-Nefertari. These emotions are timeless, even if the customs and setting are not. I spent countless hours cross-referencing military titles, funeral practices, royal protocols, and the evolving status of women in ancient Egypt. But fiction gave me the space to imagine the conversations we’ll never read on a tomb wall, to explore the heartbreak behind the throne, and to wonder: What did Ahhotep whisper to the gods the night after her husband's mutilated body was returned?
I titled the book Warrior King not to dismiss Ahhotep’s womanhood, but to honor her sovereignty. In ancient Egypt, power wasn't always gendered the way we perceive it today. Ahhotep acted with the authority of a king—commanding armies, safeguarding the throne, shaping dynastic destiny. She wasn’t just a woman supporting kings. She was the kingmaker. The title Warrior King reflects the role she claimed, not the limitations the world might have placed upon her.
If you take one thing from Warrior King, let it be this: the history of Egypt’s unification under the Eighteenth Dynasty was not built by gods alone, nor only by the men who wore the crown. It was shaped by those who loved fiercely, grieved deeply, and refused to surrender.
Thank you for stepping into this world with me. If this book stirred something in you—a question, a rage, a fascination—I invite you to explore more in the “A Look Into the Past” section at the back of the novel. And if you want more, I am already hard at work on the next chapter of Egypt’s Golden Age.
Behind the Book: The Curse of Beauty
My early readers, beta readers, and some members of my launch team have asked me how I came up with such an imaginative story to have inspired the Medusa myth. So here in a Behind the Scenes moment, I will give you the answer.
I knew I wanted to write a story of what could have actually happened in history to inspire the myths spanning the generations of Greek titans and gods. The myths begin with Uranus and Gaia birthing the titans. Two couples are at the forefront of this series: Oceanus and Tethys and Ceto and Phorchys. Oceanus and Tethys beget gods/demi-gods intertwined with the children of Cronus and Rhea and we get your monsters/creatures from Ceto and Phorchys. So with that in mind, as I was trying to figure out when in history these events might have taken place, I realized very early on in the generational hierarchy, some of these people (like half of the generations between Oceanus and Perseus) were Egyptian queens and kings.
So when were Ancient Greeks crowned as Egyptian kings prior to 800 BC which is when the Greek myths were first recorded by Hesiod? The only time, that I'm aware of, in Egyptian history before this time where Egypt was ruled by someone other than Egyptians was the Second Intermediate Period, whom the Egyptians called the Hekka Khasut (Hyksos), and if Mycenae was really founded by a man named Perseus in 1350 BC (which would be the correct dating if the Battle of Troy happened around 1200 BC per the archaeology reports) then counting back the generations from Perseus to Oceanus would put Oceanus around 1650 BC (which is right around the start of the Mycenaean age). Which by the way, also fits in with his mythological granddaughter becoming queen of Egypt around the first decades of the Second Intermediate Period of Ancient Egypt. At this point, my mind was blown.
But I wanted to write a story about Medusa…so how do I take a snake headed, killer-looking monstrous creature and make her a real person? And during this ancient time?
So I started researching the inhabitants of Greece at that time and the influences that academic books said they had found at the end of the Middle Helladic era in their excavations. Minoan influences (pre-Mycenaean) were prevalent. I researched hypothesized migration patterns of people of how Greece became populated. I decided that I would take the hypothesis that the Minoans might have been a matriarchal society to heart. Since they have a goddess (or two) that is a snake goddess or a Mother Goddess and the Thracians also had a Mother Goddess as well as the original inhabitants from 3000 BC, then I would make the Peloponnese inhabitants the same. However, the Mycenaeans were a very patriarchal society where war and ferocity was embedded in their daily life with a supreme god not goddess. Their entire societal construct seemed to be based on a military hierarchy.
Anyway, taking all of that in, I began writing The Curse of Beauty. You’ll have to read the “A Look into the Past” section in the back of the book for more reasons why and how I wrote the story in the way that I did because I hate spoilers and I don't want to write any here.
Since I am a family saga author, I also like connecting books. At least books that flow into each other even if they stand alone. It makes me feel like an insider when I know something another reader may not know yet muahaha. That is one reason why I like to write prequels, and for this series, uncover the origins of the matriarch of Greek Mythology, Tethys, and how her name traveled through time to become that of legend in The Curse of Revenge. Its ebook version is free to my newsletter subscribers, and the paperback is US$4.99 if you want that action packed story.
One other note: I had a huge epiphany and decided Ancient Legends series is going to connect with my other new series Egypt’s Golden Age Chronicles which will connect with The Lost Pharaoh Chronicles!
Woo Hoo! Connections all around.
Ancient Legends will continue until the emergence of the Classical Greece age and end with a story that inspired the myth of King Midas and the Golden Touch! So much more to come, and I’m super excited. My creative mind is burning to write all of my ideas down and I hope you love these stories as much as me!
Behind the Book: Salvation in the Sun
I have been getting some questions about who was my favorite character in Salvation in the Sun. So, here is my answer in a true Behind the Scenes moment!
My Favorite Character is KIYA!
The most loyal friend, pure and innocent until the end.
Assumed to be the historical Mitanni bride named Tadukhipa and given the pet name "Kiya" by Akhenaten, this young woman struck a cord of admiration in me. So much so, I wrote her origin story as an offshoot prequel to Salvation in the Sun which then prompted the entire prequel collection!
I needed to answer the questions about her character: What made her be so loyal? Why was she so desperate for friendship? Why did she find solace in painting?
Read The Mitanni Princess to join me on this long-forgotten journey deep into the Mitanni Empire where a princess battles her father for a chance to live her own life. It's a FREE download with email sign-up!
There is a free bonus ending hidden on my website as an Easter egg. Can you find it?
Be warned: There are spoilers in the bonus ending if you have not read Salvation in the Sun.
Here are some other behind the scenes tidbits of Salvation in the Sun (for a full detailed look of what really happened or what we know happened during this time period and more cool facts about Ancient Egypt, read the A Look into the Past section at the end of each book of the series):
- Aitye is a fictional character. Aitye means 'Gift' and has origins from Arabia.
- Nefertiti's mother is unknown. Temehu is a name I gave her. Temehu is actually what the Ancient Egyptians called the Libyans. There is speculation Nefertiti was not 100% Egyptian, so this is the inspiration behind Nefertiti's mother's name.
- Malkata was the gigantic palace of King Amenhotep III and was the largest known palace of any ancient King and even included a lake!
- Jabari is another fictional character in Salvation in the Sun. I liked his name because the meaning of the name Jabari is 'Brave'. Originally, General Paaten was General Jabari in my rough draft, but I decided to use the real general instead - to better keep with history, of course.
General Paaten is actually Paatenemheb ("The Aten is in festival") who was commander in chief of the army of Akhenaten. He is sometimes liked to the same person as Horemheb.
- Neferneferuaten Tasherit, the fourth daughter of Nefertiti was named after Nefertiti herself! Tasherit means 'the younger' or in today's terms ' junior'.
Additionally to get some more insight on the characters, family tree, map of the region, why I chose to end Book I were I did, my decisions behind the cover design and more, check out the free Reader's Guide to Salvation in the Sun.
Here is an example of what you can find in the Reader's Guide:
In Salvation in the Sun, Kiya is depicted painting with a reed brush, a papyrus canvas and "paints." This had caused some stir with my hard core Ancient Egyptian fan readers, and I had a few people email me telling me Ancient Egyptians did not paint...but from my research, I found that they might have. I also found conflicting information on if painting for leisure was restricted to the upper class and/or super wealthy elite, or if painting was solely a religious or pharaonic activity.
Archaeologists have found several paint boxes containing pigments that date back to the 18th-20th Dynasties which is when The Lost Pharaoh Chronicles takes place. Click here to go to an instagram post from the Cleveland Museum of Art displaying the paint box that belonged to vizier Amenemope of Amenhotep II (Amenhotep III's grandfather). If the Vizier, who I could not verify was also a priest, had a paint box, I felt painting then could have been done for leisure, and thought it was acceptable for Kiya to do so in the story. Additionally, click here to go to the RISD Museum website regarding an Ancient Egyptian paint box dated to King Tut, about 10 years after Salvation in the Sun.
If you thought these Behind the Scenes tidbits were cool - please help me spread the word about The Lost Pharaoh Chronicles on your social media accounts and leave a review on Amazon and Goodreads!
Many Thanks and Happy Reading!
Lauren
Behind the Book: Blood of Toma
I always get questions about how I choose the names for my characters.
So, here are my answers in a true Behind the Scenes moment!
Naming Characters
For the fictional characters, Azti, Zolin, Tomantzin, Meztli, etc. in Blood of Toma, I went to several websites like www.BehindtheName.com and www.MexicaTribe.com and did a blanket search on names with a certain ethnic origin, so in this case, Aztec or Nahuatl. Nahuatl is the name of the language the Aztecs spoke. I found names ending with the "tzin" (pronounced simpleton style "seen") meant they were honored names signifying fondness, respect, or reverence but could mean a parent or an original if speaking about places instead of people.
FUN FACT: During this search I also found that the Aztecs did not refer to themselves as the Aztecs but rather as the Mexica during this time period - The name Mexica actually came out of a civil war a few centuries before the Conquistadors arrived. They called themselves the Aztecs (people from Aztlan) until the civil war sometime in the 1300/1400s. Mexica means "sons of Mexi" or Huitzilopochtli (the sun god, god of war).
I scrolled through countless names looking at meanings and names after certain gods/goddesses. I had an idea of the name of the book - Blood of Someone - and I wanted the name for the main character to flow with it. I found Tonantzin which was a male name after the Mother Goddess Earth and should only be used as a last name. (Author Confession: I really liked that name so I changed the "n" to a "m" and hoped it would pass for a female name.) The name Tomantzin was too long for the title but I loved her (his) name meant Honored Mother since the character was the New Fire Sacrifice (Author Confession: which was also usually a man not a woman). I gave Tomantzin the nickname Toma and presto! Blood of Toma became the title and Toma was the name her loved ones called her.
FUN FACT: Here are some guides for pronunciation:
"...TL" at the end of a word - the "L" is silent
"HU" - sounds like a "W"
"LL" - sounds like the English "LL"
"X" - sounds like "SH"
For the Conquistadors, I searched for names with origins in Spain. For Arrio's name, I knew I wanted it to have the lovely rolled "r" sound, and so I narrowed it down to names containing the double "r" and finally picked Arrio. I liked the way it rolled off the tongue :)
For the real historical figures during the time period such as Ixtlilxochitl II, Moctezuma/Montezuma II, Chaucomauc, Cacama(tzin) and Hernan Cortes, I simply googled their names and all the different spellings and picked one I liked with the exception of Chaucomauc - his real name was Tetlepanquetzal. I had no idea how to pronounce that name and could not find a pronunciation guide for that name, so I went with Chaucomauc instead which is a variation of the name of the temporary king, Cuauhtemoc. Cuauhtemoc stepped up when Moctezuma II was killed and ruled until 1521 when the Conquistadors finally overthrew Tenochtitlan.
For more cool facts behind this time period and the book in general, sign up HERE to get an email once a month for 12 months with a freebie linked. The first one is a map of the region the story takes place in a downloadable .pdf.
If you thought this Behind the Scenes tidbit was cool - please help me spread the word about Blood of Toma on your social media accounts and leave a review on Amazon and Goodreads.
Many Thanks and Happy Reading!
Lauren
